Fire, Fire, Everywhere

View of the fire from satellite.

I can't stop obsessing over the southern California fire, which is probably no surprise since I lost my house in the 1991 Oakland Hills fire. I know just how these people are feeling: torn between happiness they are alive and shock they have lost their way of life. In many ways it is worse for them. The Oakland Hills fire raged for a day. I knew by 4 pm that my house had burned down, one of 2,800 dwellings turned to ash. Some of the people in San Diego County left their homes three days ago and still don't know their fate. They must be in pure agony.

Jews and Books

If it is late fall, it must be Jewish Book Season.

Every year towards the end of October, Jewish organizations around the country bring together dozens of Jewish authors for day-long book fairs. In California, there will be at least three fairs happening almost simultaneously, one in Contra Costa County, one in San Francisco, and one in Los Angeles.

It’s no coincidence that the fairs happen at the same time because the events are partially orchestrated by a group called the Jewish Book Council. The group was founded in 1925 by a Boston librarian who arranged a display of Jewish-themed books and called the event Jewish Book Week. The idea was formalized and retooled, and today a subsidiary of the Council, known as the Jewish Book Network, helps coordinate 70 book fairs around the country featuring 160 authors. It’s a $3 million industry and the major way for those with Jewish-themed books to reach a targeted audience.

That makes the Book Council’s director, Carolyn Starman Hessel, one of the most powerful people in publishing, even though she has nothing to do with the actual printing of any book. If the axiom that Jews buy a lot of books is true (and I’ve heard that while Jews only make up 2% of the population, they buy 20% of the hardcover books) Hessel is a woman who influences the reading choices of thousands of Jews around the country. If she likes your book, she stands behind your book. A lot of people listen to her opinion.

It used to be that Hessel would go to Book Expo America and interview various authors to see if they would be appropriate for Jewish Book festivals. Then she would talk to coordinators around the country and recommend names and titles for the book fairs.

That informality is long gone. Now authors literally audition for a slot in a Jewish book festival in a process that Rachel Donadio of the New York Times Book Review described as “a combination of “The Gong Show” and speed-dating.” Each year, authors get about two minutes to pitch their book and convince Hessel and other book fair coordinators that they will entertain and inform audiences. While subject matter counts, so does an author’s ability to deliver a rousing talk.

Hessel’s “tours have also helped kick-start the careers of promising young novelists including Nathan Englander, Myla Goldberg, Nicole Krauss and Jonathan Safran Foer,” writes Donadio.

“Hessel has an “uncanny ability” to get people enthusiastic about Jewish books, said Krauss, who first went on a Jewish Book Network tour to promote her 2002 novel, “Man Walks Into a Room.” “If ‘Finnegans Wake’ were even a little Jewish, Carolyn could convince thousands of people in J.C.C.’s across the country to read it.”

I met Hessel a few years ago as she accompanied two of her favorite authors on a small book tour. Samuel Freedman, whose most recent book was Who She Was, a memoir about his mother, and Ari Goldman, who had just written Living a Year of Kaddish, toured synagogues and community centers on the West Coast. Hessel, a diminutive, well-coiffed woman, was there in the audience, cheering them on and promoting their books.

The San Francisco Jewish Community Center BookFest tour will be on November 4^th at the Jewish Community Center on California Street in San Francisco. It is free, and will feature many stellar authors, including Michael Chabon, Shalom Auslander, whose new memoir, Foreskin’s Lament, is drawing rave reviews, (and was strongly promoted by Hesel) Dalia Sofer, who wrote The Septembers of Shiraz, Steve Almond, author of Candy Freak and the essay collection Not That You Asked, and Michael Wex, who is following up his hit book Not to Kvetch with Just Say Nu.

The Contra Costa County Jewish Book and Art Festival runs Oct. 30 through Nov. 15 and features KQED host Michael Krasney and Berkeley author Peggy Orenstein, among many others.

In Los Angeles, the University of Judaism is hosting the first Celebration of Jewish Books from Nov. 5^th-11^th. Authors include Michael Chabon, Tony Kushner, Daniel Handler, and Daniel Mendelsohn, among others.

Check out Jewish book events in your area.

Literary Tidbits

Doris Lessing wins the Nobel Prize for Literature. This is a choice I can relate to, as I read and reread The Golden Notebook numerous times in my early 20s. I haven’t read her recent books, I confess, which are science fiction.

Jeffrey Toobin blames the success of his new book on the Supreme Court, The Nine, to his ineptitude as a novelist. (via Galleycat)

Litquake is upon us! I intend to go to the pub/reading crawl on Saturday with my writing group, North 24^th. One of the members of our group, Julia Flynn Siler, will be reading from her House of Mondavi. It’s about the winemaking family and they have put her with a group of other authors who write about food, including Davia Nelson of the Kitchen Sisters. The panel's title is Tasting Course: Authors Write About Food & Wine.

Once again the Lit Crawl is an embarrassment of riches. (The schedule is here.) There are too many authors to hear and the ones I want to see all seem to appear at the same time. Some conflicts I am mulling: do I go to the panel on Heydey Press and California history or the one on bad girls acting out? The latter is sure to be a hoot with Joyce Maynard, Ellen Sussman, Mary Roach, Lolly Winston and Lisa Taggert. But I am writing a book on California history and consider the Heydey authors my compadres.

In another time slot, it’s writers from the Grotto versus writers from Bay Area Word of Mouth, a group of highly accomplished published women writers. (I am nominally a member although I mostly lurk and read their emails.)

Last year I adored the Grotto presentation. Marianna Cherry was a special surprise and she will be reading again this year. I’d love to hear Gerard Jones and Andy Raskin as well.

The WOMBA list is equally tempting. There’s Meredith Maran, whose work I have adored since What It’s Like to Live Now, Harriet Scott Chessman, who I just met the other night, Lalita Tademy, a class act if I ever saw one (I did a profile of her for People Magazine about Cane River. It was a wonderful assignment) and many more.

Of course I could skip those and hear mystery writers Cara Black and Cornelia Read, two more authors whom I enjoy.

Help!

Journalists Come Together To Investigate Chauncey Bailey's Murder

Good news on the investigation into Chauncey Bailey’s murder. An ad hoc group of reporters from the UC Berkeley Graduate School of Journalism and various newspapers, radio and television stations are banding together to investigate the murder.

The group, led by former Chronicle Managing Editor Robert Rosenthal, plans to investigate past and current activities of the Bey family and other issues that impact Oakland residents. The investigation will be called the Bailey Project in homage to a project launched after the murder of another journalist, Don Bolles, in 1976. Bolles was investigating the workings of the mafia for the Arizona Republic when his car was bombed. After his death, scores of reporters came to the state to continue his work and the investigation was known as the Arizona Project.

"We cannot stand for a reporter to be murdered while working on behalf of the public," Dori J. Maynard, president and CEO of the Robert C. Maynard Institute for Journalism Education told Editor and Publisher. "Chauncey's death is a threat to democracy. Journalists will not be intimidated. This type of crime cast a chilling affect over our community. We will not be bullied. We have to prove that there is no gain, and hell to pay, when the very structure of our society is challenged."

Journalists from the following organizations are participating in the Chauncey Bailey Project:

Bay Area Black Journalists Association
Bay Area News Group
Center for Investigative Reporting
Investigative Reporters and Editors, Inc.
KGO-AM
KPIX-TV
KQED Public Radio
KTVU-TV
Maynard Institute for Journalism Education
National Association of Black Journalists
New America Media
New Voices in Independent Journalism
San Francisco State University Journalism Department
San Francisco Bay Guardian
San Jose State University Journalism Department
Sigma Delta Chi of the National Society of Professional Journalists
Society of Professional Journalists - Northern California Chapter
University of California, Berkeley, Graduate School of Journalism

Finally, a "Why" to Chauncey Bailey's Murder

I gave the local newspapers a hard time after the murder of journalist Chauncey Bailey. I was dismayed and a little surprised that no Bay Area paper tried to uncover the facts that led to Bailey’s assassination. I ascribed the indifference, in part, to the recent media consolidation that left the region with just two newspaper chains – The San Francisco Chronicle, owned by Hearst Corp. and Dean Singleton's MediaNews.

It’s been more than two months since Bailey’s murder and the Chronicle redeemed itself today with a story explaining the rise and fall of the Bey family and their Black Muslim Bakery. This is the story that Bailey was apparently reporting when he was killed. It’s a nicely done story by Erin McCormick and Jaxon Van Derbeken as it touches on many of the issues that make this killing so disturbing – the rise and fall of Yusef Bey’s empire, his children’s hoodlumism, the inability of the police to stop their crime spree. It’s kind of shocking that no one was able to stop the violence.

Part One was a profile of Chauncey Bailey.

Bay Area Book Deals

There have been some interesting book sales by Bay Area authors in recent days, one for a first-time author for more than $1 million. (From Publisher's Marketplace)

Pulitzer Prize-winning journalists Patrick Dillon and Carl Cannon's CIRCLE OF GREED: The Rise and Fall of the Most Feared Lawyer in America, about the rise and fall of Bill Lerach of Milberg, Weiss, Lerach, once the leading class-action lawyer in America and now a convicted felon, a morality tale of greed and corruption in the legal and corporate worlds, set against the biggest financial boom in our history, pitched as in the spirit of Conspiracy of Fools and The Brightest Boys in the Room, to Phyllis Grann at Doubleday in a significant deal, in a pre-empt, by Andrew Stuart at The Stuart Agency (NA).

Patrick Dillon is the editor of California Monthly and a former editor and columnist for the San Jose Mercury News. Carl Cannon is a native of San Francisco, but he spent his reporting career elsewhere.

Former San Francisco Chronicle reporter and Global Warming Fellow at the Goldman School of Public Policy, Robert Collier's first-hand account of China's disastrous "carbon footprint," TOO HOT: China's New Economy and Global Warming, to Naomi Schneider at the University of California Press, for publication in 2008, by Amanda Mecke at AMecke Co. (world English).

Robert Collier spent 16 years at the Chronicle and left in August in the recent wave of buyouts and layoffs.

San Francisco MD Josh Bazell's debut novel BEAT THE REAPER, a genre-bending thriller narrated by a charismatic and dangerous hitman-turned-doctor, to Reagan Arthur at Little, Brown, in a major deal, for seven figures, for publication in July 2009, by Markus Hoffmann at Regal Literary (NA).

UK rights to Jason Arthur at William Heinemann, in a good deal, at auction, for one book, by Lauren Pearson at Regal Literary (UK/Commonwealth).

Dutch rights to Pieter Swinkels at De Bezige Bij, in a pre-empt.

Dr. Josh Bazell works in the Department of Psychiatry at UCSF.

Buying Books versus Taking Them Out from the Library

In the last five days I have spent more than $100 dollars on books, not a huge sum, but not a small one either. I bought Scott Kemble’s Soma, Jason Roberts’ A Sense of the World, Kevin Devlin’s The Numbers Behind Numb3rs, Lawrence Wright’s The Looming Tower, Charles Shields’ Mockingbird, and Kate Atkinson’s One Good Turn. They were all paperbacks.

In the same period, I took three books out of the library: Ann Packer’s Song Without Words, Richard Dawkins’ The God Delusion, and David Oshinsky’s Polio: An American Story.

Looking at this small sample, it seems that I buy more books than not. But the opposite is the case: I rarely buy hardbacks, unless they are by my friends, and I only occasionally buy paperbacks.

As an aspiring author who hopes lots of people will buy my book, how do I defend this position? I admire and respect so many writers and I root for them and cheer them on even when I don’t know them. This should translate to buying lots of books, but it doesn’t.

When I first started this blog I wrote about my obsession with working the hold lists at various libraries and the rental bestseller list at the bookstore A Great Good Place for Books in Oakland. The bookstore no longer has a rental program, much to my dismay, but I have continued to finesse the books I have on hold at the Berkeley and Oakland libraries. I can’t tell you how much pleasure I get from hearing about a book and then rushing to reserve it, gaining a third or fourth or occasional first place in line. If I don’t rush, there can be 30 to 40 holds on a book.

I could go out and buy these books, but I get a lot of satisfaction from the chase. It’s perverse, and doesn’t support authors, but it gives me purpose in life. How many people think about their library hold list a few times a day? Not many, I can guarantee.

For the last few weeks, I have maxed out the number of holds I can place with the Berkeley Public Library. The limit is 16, although a librarian told me yesterday the limit might soon go to 60! So I have had to cancel some books I had reserved (sorry Martha Raddatz, but your book on the Iraq war was just taking too long. Ditto Nancy Horan. A friend I respect told me she found Loving Frank a bit contrived) Just yesterday I added Shalom Auslander’s new memoir to the list, so I am maxed out again.

Here is what I am waiting for:

What you Have Left by Will Allison

He’s taught fiction at the Squaw Valley Community of Writers a few times. I’ve heard him read before, and he is wonderful. His publisher took out a full page ad in the New Yorker touting this book, but I don’t know if it has gotten much recognition. (Oops, I just checked and saw this book has been declared lost. Now I may never get it.)

Four Seasons in Rome: on Twins, Insomnia, and the Biggest Funeral in the History of the World by Anthony Doerr. He is the son of the novelist Harriet Doerr. I heard this one was great. It’s a memoir about the time he spent at the Rockefeller Foundation on Lake Como.

The Indian Clerk by David Leavitt. This is a novel about Britain during World War I and an East Indian mathematician. My husband and daughter love math, so I thought they might enjoy this.

An Arsonist's Guide to Writers' Homes in New England by Brock Clarke. One of the hits of the season. I could have purchased it for $12 at Costco, but didn’t. What’s worse: buying from a chain or getting it from the library? I bet the author would encourage me to buy, regardless of place.

The Almost Moon by Alice Sebold. (This, too, is for my daughter, who loved The Lovely Bones)

The Abstinence Teacher by Tom Perrotta. I really enjoyed Little Children.

The Septembers of Shiraz by Dalia Sofer. My friend Ilana DeBare said not to miss this one.

Trashed by Alison Gaylin. Then there are those books I reserve and can’t remember why. I think this one is a mystery featuring a reporter.

The Genetic Strand, by Edward Ball. I really do love nonfiction and this one could be good.

One Drop, by Bliss Broyard

How Starbucks Saved my Life : A Son of Privilege Learns to Live Like Everyone Else by Michael Gates Gill. This sounds hokey but actually has gotten some interesting reviews.

As you can see, my reading tastes are eclectic. I probably should focus but what fun is there in that?

Seymour Hersh on Bush and Iran

Here's the New Yorker article Seymour Hersh talked about at the Carmel Authors and Ideas Festival. In it he says Bush is looking for a new pretext to bomb Iran. His attempts to create fear about a widespread nuclear program in Iran didn't produce much support, so he's changing his message to argue bombing is needed to support American ground troops fighting in Iraq.

Of course, Bush's new press secretary Dana Perino belittled the piece. That's par for the course, according to Hersh. Bush completely ignores the media and barely pays attention to his own party, unless they are part of the neoconservative branch.

Carmel Authors and Ideas Festival

I spent about 24 hours at the Carmel Authors and Ideas Festival, and to my surprise, I found it exhilarating. And exhausting. The format was different than anything I had experienced, and it created an environment where you were bombarded with the thoughts and words of various authors.

The really big names like Frank McCourt, Sy Hersh, Elizabeth Edwards, Douglas Brinkley, and Doris Kearns Goodwin got to speak by themselves for about an hour. Otherwise there were sessions where four or five authors came on the stage and spoke for about 15 minutes each. They weren't there to read; they were there to entertain, to showcase their personalities .

I have seen many authors read, but I never quite realized how authors today are required to be bright, witty, and quick with a quip. Some authors at the festival were excellent at this. Joe Quirk, author of Sperm Are From Men, Eggs Are From Women, gave a short lecture on sex and biology that had people doubled over laughing. Kevin Devlin, the Stanford professor who has a math show on NPR, was also entertaining.

Irshad Manji, the Canadian journalist who wrote The Trouble With Islam kept the audience enraptured with her talk about personal responsibility and courage in the world. She obviously has given this talk dozens of times at universities around the globe, and she does it convincingly. She went on way too long, however, perhaps not realizing that she was cutting into the time of other writers.

What these kind of conferences do well is expose participants to writers they may never have heard of and may have never sought out. I really enjoyed seeing Lolly Winston, Kemble Scott, Amy Wilentz, Judith Freeman, Tamin Ansary, and Robert Scheer, among others. There were a few I wish I could have heard, but I had to leave before their presentations, including Goodwin, Brinkley, Jason Roberts and Beth Lisick.

Hersh and McCourt were worth the whatever the conference organizers Jim and Cindy McGillen may have paid them. McCourt talks in a lilting Irish accent and is charming and funny and self-deprecating. He spoke about teaching at a vocational high school in New York in the late 1950s and early 1960s and the lengths he had to go to make the kids interested in writing.

Hersh spoke after lunch on Saturday and his talk immediately changed the tone of the conference. He spoke about the Bush administration and the small group of neoconservatives who have hijacked foreign policy, despite the complaints of more moderate Republicans and much of the rest of the country. Hersh also spoke about the article he has in this week's New Yorker about new plans to bomb Iran. He said the Taliban are poised to take over Afghanistan and any bombing of Iran might lead that nation to bomb Pakistan in retaliation. And as we all know, Pakistan is very unstable and had many nuclear weapons. Hersh ended his talk by saying he thought the US would live through this dark period. Robert Scheer came on stage next and said he disagreed with Hersh. He had interviewed every president since Nixon (except the current one) and that America is giving in to its darkest impulses.

Was this conference worth $500 a ticket? Clearly, most of those attendees didn't have to think twice about the price. Most were in their 60s or 70s and obviously very wealthy. There were many women with beautifully coiffed blonde hair and fingers and wrists decked in diamonds and gold. I saw a lot of Chanel, Burberry and other designer goods. The authors were more poorly dressed than the attendees. The audience looked happy, and looked like they felt they had gotten their money's worth.


These people clearly love books and were delighted to meet so many authors. They were buying four to six books at a time at the book table (staffed by Borders, not an independent bookstore.)

The weather was beautiful, the Sunset Center was a great place to spend a day, and the conversations -- on stage and off -- were stimulating. I would definitely go back next year.

Photo Identification: Frank McCourt and Irish singer Shannon Miller; Irshad Manji signing books; Elizabeth Edwards signing books; Joe Quirk, Julia Flynn Siler, Lolly Winston, and Kemble Scott hanging out in the Green Room; Bridget Kinsella and Jason Roberts at the festival.

What Race Means in America

I heard Bliss Broyard on Fresh Air on Thursday, talking about her book, One Drop, which discusses her father’s decision to spend his life as a white man, rather than as the black man he was born.

Broyard’s father was no ordinary man, but was Anotole Broyard, the book critic for the New York Times and a writer of strength and wit in his own right. In his two memoirs, Kafka Was the Rage, detailing his days as a bachelor in Greenwich Village after World War II, and Intoxicated By My Illness, focusing on his upcoming death from prostate cancer, he never reveals that he has some black blood.

He never told his children, either. His wife revealed that salient fact to them as Broyard lay dying.

There were always rumors about Broyard’s identity, and he was ultimately “outed” by Henry Louis Gates, the Harvard scholar, in a mesmerizing article in the New Yorker, which you can read here.

Bliss Broyard's book explores the legacy of her father's decision and how she adapted to a new sense of her own identity.

I am fascinated by books which explore how Americans are not what they think they are. Edward Ball’s book, Slaves in the Family, looks at his ancestors and their long legacy of owning slaves. In his upcoming book, The Genetic Strand, he dissects his family’s genetic code to see whether he has any African-American or Native American blood.

Another fabulous book on race in America is Neil Henry’s Pearl’s Secret. Henry is a descendant of a white plantation owner and a black slave, and his book traces two branches of the family, one white, one black. He finds that the black descendants of the original couple have done much better in America than their white counterparts. In the course of his research, which takes him to archives and dusty municipal buildings all over the South, Henry is confronted with race and what it means to be black in America.

I don’t have any indication that my ancestry is anything but Jewish, German, Irish, Scotch, etc. One daughter of mine has very dark skin, however, and people are endlessly asking her ancestry. Perhaps there is a drop of gypsy blood along the line. Who knows?

But the question of origin interests me, since racial identity plays such a critical role in American history.

Carmel Authors and Ideas Festival and Other Musings

A number of people have told me that they saw the announcement of my talk at the Magnes Museum too late to attend. They saw it too late because they are checking my blog less often, now that I am posting less often.

I guess I am in kind of a lull. I am working hard on my book and that consumes a lot of my energy. I keep seeing events that I think I should blog about, or read books on which I should offer commentary, but somehow I put it off.

But I will be going to the Carmel Authors and Ideas Festival this weekend, and plan to take lots of pictures of all the glamorous authors and participants. I promise I will post them.

This is the festival that was literally thrown together in a few months by Jim and Cindy McGillen of Carmel. Despite the short timetable, the organizers have lined up a fabulous set of speakers, including Seymour Hersh, Doris Kearns Goodwin, Douglas Brinkley, Elizabeth Edwards, Frank McCourt, and John Grogan.

Bay Area authors also will be well represented. I am going as a guest of Julia Flynn Siler. Other authors include Tamim Answary, Jason Roberts, Kemble Scott, Beth Lisick, and Lolly Winston, among many others.

The Interstection of Journalism and History

I am going to be talking at the Judah L. Magnes Museum on Thursday September 20 about the intersection of journalism and history. In writing my biography of Isaias W. Hellman, I have used the archives of the Western Jewish History Center, an incredible repository of photos, letters, diaries, and newspapers detailing the Jewish contribution to the settling of the West.

I am going to talk about combining a variety of sources to write historical narrative. Normally in journalism, a reporter goes out and interviews people about a topic, reads the literature, observes the scene and then writes up a report.

But recreating history is not so neat. Generally there is no one to interview and you can't observe the scene first hand. So you have to hunt for clues in old newspapers, letters, photographs, etc. I will be talking about how to mine primary sources to write narrative. I will also be talking about Hellman and the Jewish experience in California in the 19th and 20th centuries.

The Magnes is located at 2911 Russell Street in Berkeley. I will talk at 6:30.

They Called Me Meyer July

When Meyer Kirshenblatt was 17 years old, he left his home in Apt, Poland for Canada, little realizing he would never see the town again. He grew up in a Jewish community rich with tradition and religion and that way of life -- and most of the inhabitants -- were killed during the Holocaust.

Kirshenblatt lived a full, happy life in Toronto and it wasn't until he was 71 years old that the press of his childhood memories prompted him to start painting scenes of his youth. Now 20 years later, the Judah L. Magnes Museum in Berkeley is putting on an exhibit of 65 of his paintings, titled They Called Me Meyer July: Painted Memories of a Jewish Childhood in Poland Before the Holocaust. It's an amazing show of scenes of shtetl life, done in bursts of color and dotted with humor. It's the first time the paintings have been exhibited and when they leave the Magnes in January, they will travel to museums around the world.

Kirshenblatt and his daughter, the renowned scholar Barbara Kirshenblatt-Gimblett, have also written a beautiful memoir about pre-Holocaust Apt, looking at Meyer's life, his painting, and their intellectual collaboration. The book, published by UC Press, got a starred review in Publishers' Weekly.

Kirshenblatt-Gimblett and her father were at the Magnes opening on Sunday, and she said something I found provocative and true: that these paintings are "memory as a weapon against the traumas of history."

Who is the Most Popular Author At Google?

A number of my friends have been lucky enough to be tapped as Google Authors – you know, the writers who get to take a trip to Google headquarters in Mountain View or Santa Monica or New York and talk to Google workers while they snack on Google-prepared lunches. Oh, yes. Google buys a bunch of their books and then passes them out to those attending the talk.

I first heard of the Google Authors program when Pamela Mazzola and Nancy Oakes, authors of the gorgeous cookbook, Boulevard, visited the Mountain View campus in 2005. Since then the program has become well known, with write ups in various newspapers. A few other friends, Neil MacFarquhar, who wrote The Sand Café, and Julia Flynn Siler, who wrote The House of Mondavi, have also been tapped.

Google does more than pass out an author’s books. The company also films the author’s talk and posts it to YouTube, creating one of the most vibrant libraries of literary lectures around.

So guess who are the most favorite authors, as judged by the number of times their videos have been viewed? It’s an eclectic list.

1) Christopher Hitchens, author of God is Not Great. His video has been viewed 25,536 times. (In just two months!)

2) Cory Doctorow’s video has been looked at 15,039 timers.

3) James Randi’s video has been viewed 10,838 times.

4) Neil Gaiman’s has been looked at 9,916 times.

5) Bess Vanrenen’s video has been looked at 7,689.

6) Elizabeth Gilbert’s video has been looked at 6,322 times.

7) Andrew Keen’s has been viewed 5,737 times.

8) Julia Flynn Siler’s video has been looked at 2,227 times.

I will confess I have never heard of some of these authors. Randi is a magician, Vanrenen is the editor of the anthology Generation What? Dispatches from the Quarter-Life Crisis. Andrew Keen is the author of The Cult of the Amateur.

The author viewings pale compared to viewings of political candidates.

1) Ron Paul’s video has been viewed 234,017 times

2) Hillary Clinton’s has been viewed 44,363 times in the past six months.

3) John McCain’s has been viewed 18,152 times.

4) John Edwards has less traction. His video has been looked at 7,997 times.

Harper Lee Won't Talk to You. What Do You Do Now?

The biographer James McGrath Morris has started a new monthly on-line newsletter, and his September issue is a gem.

In it, Charles J. Shields describes walking to meet various publishers to discuss his just-submitted proposal for a biography of Harper Lee, the reclusive author of To Kill a Mockingbird.

“My agent Jeff Kleinman at Folio Literary Management sent my book proposal to about a dozen publishers,” Shieeds recounted in The Biographer’s Craft. “We were excited when several editors said they'd like to meet me and discuss the idea. I remember we were walking down Seventh Avenue in Manhattan when Jeff's cell phone rang.

I could tell right away by his expression that something was wrong.

Someone--a mole in publishing (though I prefer to think of the person as a wart)--had copied my entire proposal and sent it by Fedex to Lee. As Jeff and I were blithely meeting with editors, she was already feeling grateful that some thoughtful soul had tipped her off, and by God she wasn't going to cooperate with me. Or, as she so often responds to requests from journalists, "Hell, no!" In fact, she had started calling friends and asking them not to speak to me. I was thunderstruck and Jeff, in his endearing way, began to worry (he wouldn't feel right if he wasn't worried about something) that the whole project was blowing up.

What I had planned to do before we were double-crossed was this: first, I would get a reputable publisher for the book, and then I would contact Lee. I would tell her that accuracy and fairness were my biggest concerns. I would explain that I wanted to work with her, and would even send her the completed manuscript for corrections. Keep in mind that this is chancy. Whenever you write a biography of a living person and permit him or her to read the manuscript, you run the risk of having it filleted. Result: a hagiography, to use an old-fashioned word, a biography that treats its subject with undue reverence because all the juicy parts have been removed. Still, I thought a biography of the mysterious Harper Lee, author of one of the most popular books of the twentieth century was worth the chance.

I never got the opportunity to work with her. She cut me dead. Never heard from her, only from her sister, Alice Lee, a lady in her nineties, who said imperiously that she was not pleased that I was writing about her sister."

Fortunately, Shields was tenacious, as his book, Mockingbird, was widely admired and won all sorts of awards.

The issue also contains an interview with Janet Malcom, who just wrote a biography of Gertrude Stein and Alice B. Toklas, focusing on their years under Nazi occupation.

David Halberstam's New Book to be Promoted by Other Writers

A group of powerhouse non-fiction authors will embark on a series of readings for the new book on the Korean War from the late David Halberstam.

Shortly after Halberstam was killed in a car crash last spring, Doris Kearns Goodwin and Anna Quindlen called his widow and offered to promote the book, according to an AP article. They will be joined by Joan Didion, Seymour Hersh, Samantha Power, and Bill Walton in readings for The Coldest Winter around the country.

Guilt-Free Reading

You've heard of carbon credits? Now there are paper credits, too.

A new company is offering to make reading guilt-free -- for a small sum. Pay into a fund, and every time you buy a new book, the company will plant a tree.

About 20 million trees are cut down each year to make virgin paper, and founders of the company hope to offset this consumption. "Every book you read was once a tree," reads the company website. "Now you can plant a tree for every book you read."

The company, based in Novato, Ca, and Delaware was started by a group of Israelis, including "eco-entreprenuer" Raz Godelnik. He was the co-founder of Hemper Jeans, which produced jeans made from hemp. (Which is still illegal to grow in many parts of the U.S.)

I figure I read about 50 books a year. Planting 50 trees would cost me about $47.

The founders list their favorite books on their website, too.

More good feelings from The WIre

It's The Wire week here on Ghost Word. Gee, I wonder when the show comes back on?

Anyway, in another it's too good to be true story, the man who inspired the machine-gun totting yet ethical drug dealing Omar, got married this week to the woman who inspired one of the show's many drugged out characters. She was nothing but a junkie on the street when he started to call her from prison, where he was serving time for murder. The matchmaker? None other than David Simon, the show's creator.

Their marriage got a large write-up in the New York Times' wedding section:

"Among those at the wedding were Mr. Simon, the executive producer, writer and creator of “The Wire,” and the cast members Dominic West, who plays Detective James McNulty; Sonja Sohn, who plays Detective Shakima Greggs; and Andre Royo, who plays Bubbles."

Summer Reading

Summer is almost two-thirds over and I have the uncomfortable feeling that I haven’t had enough good “summer reads” this year. When I was traveling in Italy I got to read for hours a day, but since my return I haven’t gotten back my rhythm. What that really means is that I haven’t read any truly satisfying books.

My favorite books so far this summer:

Case Histories by Kate Atkinson. This isn’t a new book (it was an LBC pick last summer) When I first picked it up a few years ago I couldn’t get into it, but I devoured it on my second attempt. It’s a series of linked murders that go unsolved for decades. It’s utterly engrossing and keeps the reader guessing.

First Fire by C.J. Box. I don’t read a lot of mysteries but I have read every book in this series about a Wyoming game warden whose main job is to prevent wildlife poaching but who often finds himself in the thick of murder and corruption. The first book in the series was fabulous, and the rest less so, until now. I am happy to report that the latest book is as good as the first.

House of Mondavi by Julia Flynn Siler. I’ve written extensively about Julie, a good friend. While I read much of this book in manuscript, I hadn’t sat down and read the whole thing from front to back. Once I started, I couldn’t stop, and found myself angry when I got distracted. This is really a fun read and I am not just saying that because Julie is my friend.

Brooklyn Follies by Paul Auster. I saw a sign in a bookstore that declared this a “perfect novel.” Shortly thereafter a friend told me how much she enjoyed this story of a recently divorced man who sheds his suburban life for a new home in the bustling city. This is a story about the new American family, one blended because of love and proximity, not blood.

I got this email from Ilana DeBare, a friend and business writer at the Chronicle:

“It's not often I get excited enough to want to start spewing out emails about a book, but I just read one that I wanted to share. Anyway, it's called The Septembers of Shiraz, by Dalia Sofer, and it just came out in hardcover. It's about a wealthy Jewish Iranian family where the father, a gem cutter, is imprisoned by the revolutionary regime shortly after the overthrow of the Shah. The book alternates between the father in prison, the mother, the son who is stranded in Brooklyn studying architecture, and the nine year old daughter. It is a truly horrifying glimpse of the Iranian revolution. But it is also a nuanced picture of a marriage that has dulled over time, and love and regret; of how even non-identified Jews can't escape their identity; class dynamics between servants and their employers; and what happens when people who have been accustomed to status, luxury and comfort their whole lives suddenly find it taken away. It's a great book.”

Some less well-loved reads:

Visiting Life: Women Doing Time on the Outside by Bridget Kinsella.

Kinsella is the west coast representative for Publisher’s Weekly and is a well-respected member of the Bay Area literary community. She was all over the radio and television with this book, which details her platonic romance with a convict at Pelican Bay Penitentiary in northern California.

The beginning of the book starts strongly as Kinsella describes falling in love with her first husband and the sense of betrayal she felt at his departure when he discovered he way gay. The break-up forces her to reevaluate everything, move across the country to California, and cast about for new ways to survive. She sets herself up as a literary agent and someone sends her some writing by Rory Mehan, who is serving a life sentence for murder. Kinsella is so impressed with Mehan's writing that she decides to visit him at Pelican Bay prison, which is about a seven hour drive from the Bay Area. When they meet, she is astounded at his perceptiveness. He is just glad to get a female visitor and within moments is romancing her. They fall in love and the rest of the book is the story of their platonic romance.

I just never felt comfortable with Kinsella’s description of her romance with Rory. Perhaps I was bewildered that she could fall for his pap and overblown phrases. Here was this accomplished woman with a deep neediness that is helped by a man with no education and a violent background. How can she believe him? She didn’t seem to question the relationship deeply enough and although she hints throughout the book that she knows she will one day leave him, that he is just a temporary diversion, she never has to make the difficult, final break because he comes down with a fatal disease. He decides not to seek treatment, so Kinsella gets to avoid a final break.

How to Talk to a Widower by Joe Tropper – I loved Tropper’s last book, The Book of Joe, but found this one much less funny and moving. It’s actually kind of depressing as the protagonist, a young widower, is still mourning his wife throughout the entire book. Tropper introduces several comic situations, such as having the protagonist’s pregnant twin sister leave her husband and move in to provide company, but the juxtaposition of comedy and serious intent didn’t work for me.

Living in a Foreign Language by Michael Tucker. This is a case of a book getting published because its author is a celebrity. Tucker and his wife, Jill Eikenberry, played two lawyers on the hit television show L.A. Law. The story details their lives after they leave the limelight and their attempts to find new meaning away from the glare of stardom. At some point they travel to the Umbrian region of Italy and buy and fix up an old cottage,

The book doesn’t really have any narrative momentum. I picked it up because I had just visited Umbria and wanted to get a deeper perspective on the region. Tucker is best at describing the food he eats and cooks. His writing really comes alive as he talks about visiting the small butchers and grocers near his town or the simple, yet sumptuous, meals, he eats at various restaurants. It’s a good book to read to make your mouth water, but it will leave you feeling vaguely empty.

The Manny by Holly Peterson – Peterson was a protégé of Tina Brown’s and has had a long career in network television. Her father is Pete Peterson, one of the richest men in the world, and it is this part of her background that Peterson uses for The Manny. The book is a glimpse into the lives of the uber-rich of the upper East Side. “Wheels up at 3!” is one of their favorite phrases, meaning their private plane will depart at 3,

In many ways this is typical chick-lit: lovely, unappreciated woman lives with scoundrel, meets a new man, gets together with new man. The difference here is that the new man is the family babysitter, or Manny.

Peterson got $500,000 for this novel and will get an equal amount for her second book. The main reason to read this book is to glimpse inside a world where people appear to be totally out of touch and obsessed with their bodies, their décor, and their clothes.

Bay Area Reporter to Head up Neiman Program on Narrative Journalism

Constance Hale, a longtime Bay area journalist and former editor of Wired and Health magazines, has just been appointed the new director of the Neiman Program on Narrative Journalism at Harvard University.

Hale got this job after setting up a series of fantastic conferences at the UC Berkeley School of Journalism, including the one that David Halberstam spoke at in April right before his death. She is an accomplished teacher and freelance writer as well, with her stories appearing in the Atlantic Monthly, the San Francisco Chronicle and the Los Angeles Times, among others.

With so many journalists losing their newspaper jobs because of cutbacks, the world may soon see a spurt of narrative nonfiction books. Connie will now be at the center of this world, organizing the well-respected Neiman Conference on Narrative Nonfiction that occurs every December, working on a website devoted to narrative, and reaching out to newsrooms to encourage narrative.

“For years, the Nieman Foundation has done a superb job of nurturing top reporters in traditional media,” Hale said in a press release. “But newsrooms across the country are now in turmoil and journalists have new, urgent questions about how to tell stories. I look forward to helping them explore new ways to report stories and bring insight and skill to everything from print to video, from broadcast to podcast.”

I’ve known Connie for years through a loose association of freelance journalists. I think she is a wonderful fit for the job.