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Thursday, May 21, 2009

Why Does the Tale of the Donner Party Continue to Fascinate?

http://www.me.berkeley.edu/compmat/ryan/donner.jpe
Donner Lake



When I was in elementary school I read George Stewart’s Ordeal by Hunger, then considered the definitive book about the Donner Party. I found it fascinating and macabre to learn about the ill-fated pioneers who got trapped by the Sierra snows in 1846 and were forced to resort to cannibalism to survive.

If I wanted to forget their story, I could not, for every time my family drove from San Francisco to Lake Tahoe (which we did a lot, for skiing or summer fun) we would drive past Donner Lake. The clear blue lake was named after that band of pioneers and although it was much smaller than its mighty lake neighbor to the east, it was still beautiful.

My education about the Donner party might have ended there except for Jim Houston’s wonderful novel Snow Mountain Passage. When it came out in 2001, both my husband and I gobbled it up. In lyrical prose, Houston describes the travails of the travelers, and the reader can almost imagine herself starving and desperate.

But then Ethan Rarick, a journalist I know and admire, came out in 2008 with Desperate Passage, a narrative account that incorporated new archeological research from the site where the settlers camped for four months, along with a new understanding of the effects of hunger and starvation. The New York Times gave it a stunning review, and I read it and began to recommend it to everyone I saw.

All of this is a long-winded way of saying I have unwittingly turned into a Donner Party junkie. I am currently reading The Indifferent Stars Above by Daniel James Brown, and although I am just in the early chapters I can say with assurance this is a wonderful narrative by a wonderful writer.

So when I saw Bill Deverell’s LA Times review of the new book Searching for Tamsen Donner, which tells the story of one woman’s 35+ year quest to understand one of the woman pioneers, I knew I had to read the book. It is a most unusual Donner Party narrative, for rather than writing a narrative of the Donner’s cross-country journey, Gabrielle Burton takes her husband and five daughters on a road trip, visiting spots that Tamsen Donner lived in along the way. The catch? The road trip was in 1977, when Burton was trying to write a novel that touched, but did not focus, on Tamsen Donner. It has taken Burton a quarter century to come to terms with the meaning of that road trip – her thoughts about motherhood, how to combine her family life with her writing life, how to create a meaningful partnership with her husband when both were born in a era where men and women embraced traditional roles, and more. The result is part memoir, part historical recreation, part travelogue. (Oh, and by the way her novel on Tamsen Donner will be published in 2010.)
http://www.gabrielleburton.com/images/site_graphics/136948_03052009_155058_212-674054-Product_LargeToMediumImage.jpg

I wanted to find out more about Gabrielle Burton and her fascination with Tamsen Donner so I sent her some questions.


When did you start to become so fascinated by Tamsen Donner? Can you
describe how your initial interest grew into a sort of obsession?

I chanced upon her by accident in 1972 at Bread Loaf Writer's Conference, when a writer, William Lederer, said, "Last night, I dreamt you were going to write a book about people eating each other to survive." I had no idea what it meant, nor did he. Months later, I was writing a short story about a cross-country trip, and my husband was helping me with the geography. "You'd have to go over Donner Pass," he said. "What's that?" I asked. "You know," he said, "where they ate each other to survive." This was the first time I had ever heard of the Donner Party and, when I got out books on them, Tamsen Donner leapt off the page. My short story became a novel, a small fraction of it about Tamsen. After seven years and numerous rejections, I put it in a drawer, and started another novel, which took another 7 years to be published. In between numerous other projects, I found myself returning again and again to the mystery of Tamsen Donner.
.
Why are you so intrigued by her?

I never thought about this until a reader at U of Nebraska Press asked: What drew you to such a disturbing remote character? I was taken aback: Disturbing? Remote? News to me. When I considered the question, I came up with a lot of answers. In those early days in the women's movement, we were all searching for heroines--for ourselves and for our daughters--and Tamsen Donner was a remarkable woman. She had five daughters as I did and, although 2 of hers were stepdaughters, that parallel carried me quite a while. My Catholic upbringing had made me comfortable with gruesome martyr stories, thus the cannibalism and gore that typically predominate in stories about the Donner Party neither repelled nor intrigued me deeply. I've always been interested in survival stories, wondering how I would fare in a similar situation. In the early days of the women's movements, I felt that we--my "sisters," my family, and I--were pioneers, searching for new ways to work and love. The common representation of Tamsen as a "heroine" because she stayed with her husband until death did they part at the cost of her own life, rankled me and scared me because I was afraid that an authentic part of me, my writing, might be sacrificed to marriage and motherhood. In the beginning, because so little was known about Tamsen, she was a blank page I was trying to write my story on.

Which of her qualities do you admire most?

Endurance, because it's always based on hope--which, a famous Biblical line to the contrary, I think is the greatest virtue. Not only did she endure four and a half months trapped in the mountains, basically in an underground yurt with a dying husband and five children, she had already survived personal tragedy years before when her first husband, son, and prematurely born daughter died within a 3 month period. Her letters indicate that she suffered depression and came out of it. I admire enormously people who pick themselves up and not only survive, but prevail. She also was incredibly feisty. She was a woman who knew her worth.

Why do you think she decided to remain in the mountains with her husband
George Donner rather than walk to safety with her daughters?

No one knows these things. She was a woman of principle--she had taken vows. Her husband was dying--she loved him. To leave him to die alone in the mountains all by himself would have been a decision none of us would want to make or live with. Another rescue party was expected, but never came. My belief is that she always intended to get out, to join her daughters as soon as George died. Indeed, she started out, but never made it.

Your book details your journey from contented mother and housewife to
feminist who seeks her own professional path and a more equal arrangement
with your husband around child rearing and housekeeping. Yet you are
intrigued by Donner, who lived in a different era with such different
expectations. What parallels did you find between your lives?


http://www.gabrielleburton.com/images/site_graphics/author%20Burton.JPG
I was never a contented mother and housewife. I was quite miserable, but until the women's movement came along I thought it was my own failure as a "real woman" and I kept it to myself. My husband jokes that I completely misrepresented myself, and he's absolutely right: I pretended to him, the world, and myself that all I wanted was to be a wife and mother. My first book, I'm Running Away From Home But I'm Not Allowed to Cross the Street, is about how the women's movement gave me hope and voice, and the subsequent changes in our family and ourselves.

Other than the qualities mentioned above that drew me to Tamsen, she was a woman who had adventure along with being a wife and mothering five children. Discovering her when I was already married, had five children, and decided I wanted to write, she seemed like a terrific role model.

Why did your book take 27 years to finish? You went on your trip to retrace
the steps of the Donner Party thinking you would be writing a novel that
included Tamsen Donner. At what point, and why, did you decide to write a
memoir.

It took 27 years because I continually put it aside for other things. I would say that at least 3 different women wrote that book. One of those women was afraid that if she wrote about her wonderful family, some terrible thing would happen that would disprove her. Mostly, life intervened.

I took out a draft in 2006, horrified to see that the last notes I had received on the ms. were in 1988. I thought, Well, I can sit around kicking myself for the years gone by, but face it, nobody cares about this but me. A huge motivation was to see Tamsen's seventeen extant letters in print. Searching for TD went to 19 agents before U of Nebraska. I had told my husband, If no one ever publishes this book, I'm going to publish a booklet of her letters and drive to the Donner Museum to get them to sell it.

I didn't set out to write a memoir, but just to tell the story of our trip and what Tamsen Donner meant to our family. I still don't think of it as a memoir, though I suppose it is in an offbeat way.

I did write a novel about Tamsen, Impatient With Desire--not at all like that apprentice novel of so many years ago--which will be published by Hyperion, Winter, 2010.

Three books have come out about the Donner Party since Jan. 2008. The event
took place in 1846 more than 140 years ago. Why is America still fascinated
by their experiences?

Tamsen Donner, mythical herself, was part of our great American myth: The Overland migration that expanded the U.S. from the Atlantic to the Pacific. The migration lasted only 20 years, but the pioneers in their covered wagons on the Oregon and California Trails live deep in our self-image and our dreams. Picking up stakes and "moving West" embodies all that we Americans love to think forms our national character--exploration, quest, adventure, unbridled optimism, romance, heroism, wide open spaces, bigness, boldness, epic. It also contains other parts we don't claim as readily--sexism, racism, abandonment of the old, theft of land, violent displacement of peoples, murder, and of course cannibalism. The Donner Party's trip West seeking a better life is the American dream gone sour. It's a timeless story, still a mystery, cautionary tale, and challenge.

Wednesday, May 20, 2009

E-Books, or Why Kemble Scott is Publishing his Second Novel on Scribd

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On Tuesday, a new on-line publishing company entered the e-book business in a serious way.

Readers are already buying books for the Amazon Kindle or Sony E-Reader,

but Scribd has a different business model.It allows authors to post their books on their site

and charge whatever they think the market will bear.With 60 million visitors a month, that could

add up to a lot of pennies. But publishing on Scribd ratherthan going through a traditional

publisher means a writer gives up many of the perks associatedwith putting out a

traditional book: the prestige of being selected by a well-know publisher, distribution

in book stores, and probably book reviews in newspapers. I asked Kemble Scott,

the best-selling authorof SoMa, a novel, why he is publishing his new novel Sower

on Scribd. It costs $2.


Why did you decide to publish your second novel on Scribd?


The world is changing and people are experiencing books in new ways. Amazon says its digital books now account for 35% of recent titles sold. In Japan, 86% of teenagers are reading novels on their cell phones. E-books aren't a thing of the future, they are happening right now. Scribd has already established itself as the top site for sharing the written word. They have 60 million unique users per month. They offered me a chance to sell my book so it can be read on any computer or mobile device - no special gadget required. It's an incredible opportunity to reach out to a whole new universe of readers.


What are the advantages to on-line publishing?


I read recently that people who read on-line literature are much more likely to become avid readers. It kindles a passion for reading, and they end up buying books and going to libraries. That's very exciting.


As an author, publishing my first edition of The Sower on Scribd gave me the opportunity to try something brand new with a book: immediacy.


In traditional print publishing, a book is typically done months or years in advance. Then like an airplane that must queue for its turn to land, a book waits for its spot in the publishing cycle. As a result, you can't really write a book that's set in the present. As a novelist, you end up writing a period piece.


The Sower is set in a fictionalized version of the present. It taps into the current national mood. We're fed up with corporate greed, damaging right wing ideologies, and hate-mongering religious agendas. We're living with the fallout of eight years of that crap.


When I wrote The Sower, all of that was on my mind. The novel is ultimately a darkly comic commentary about the moral hypocrisy of the past eight years. With traditional print publishing, I'd have to wait a year or so to get The Sower to readers. Would the national mood be the same then? Would we still be in a recession? Would we still despise George W.?


How will you get the word out? Are you concerned that it is such a new medium that distribution will be small?


As most published authors know, launching any book is challenging. Especially novels. Authors hope they'll get a nice review, or if they're very lucky their publisher will sponsor a tour of bookstore appearances. The options for getting the word out have always been extremely limited.


With my first novel SoMa, I was the first author to launch a novel on YouTube I did these very earnest, black and white videos that took people to the real life places that inspired the novel. Since the novel is set in San Francisco's sexual underground, the videos were remarkably effective "teases" to get people to read the book. SoMa hit the San Francisco Chronicle bestsellers list the first week it was for sale in local stores.


So I'm open to the idea of trying something new to launch a book. The Sower will be promoted on Scribd to its 60 million readers. That's more than twice the size of the audience of American Idol. Novelists don't usually get that type of platform.


Your last book, SoMa, was a San Francisco Chronicle bestseller and finalist for a Lambda Literary Award. You are a former television producer and journalist. The publication of Sower on Scribd carries none of the prestige or weight of your previous endeavors. Does this concern you? Is Scribd's really just a new-fangled vanity press?


I love being appreciated as much as the next guy. But you've got to have a thick skin to write fiction. If you care too much about “prestige” then you're going to be terribly wounded by the hecklers who inevitably emerge. I write provocative books, and I expect them to be polarizing. Prestige is the last thing on my mind.


As you know, "vanity press" is an insult used by people in the publishing trade to describe books that people publish on their own because no one else wants them. The truth is The Sower received what's called a “pre-empt” offer. The first publisher to read it immediately offered to buy it (he got a copy of my manuscript from a very enthusiastic author who read it for a blurb). It was such a surprise to get that call unsolicited, and really flattering, especially since I had not done the submissions process. The publisher was convinced The Sower would be the first book to go “viral” because of certain twisted ideas and scenes involving the Catholic Church and the president of the United States.


But that deal eventually fell apart. The delay meant I couldn't start the submissions process until earlier this year. As fate would have it, that's when the Scribd project emerged. I had to make a decision.


I wish I could say it was difficult. It wasn't. That's because I see The Sower on Scribd as the first edition. I have retained all rights. I can sell hardcover, paperback, foreign language, audio, other media, Kindle, etc.


The print door isn't closed to me. To the contrary, it may be open wider than ever. If Scribd creates new buzz for my work, then I suspect there's at least one print publisher who will sense an opportunity. Let's face it, it's so difficult to get people talking about a novel. That's the hard part in this age of information overload. Hardcover, paperback, digital, audio - those are simply different readerships. I'm enthusiastic about all of them.


Your cover illustration is eye catching. Does Scribd's help authors with art or layout? How about editing? All books can be improved by editing. Did you skip the process or find your own editor?


http://latimesblogs.latimes.com/.a/6a00d8341c630a53ef01156f95b37a970c-pi


I'm glad you like the cover. I came up with it myself. Because this first edition is on Scribd, there was no print book cover to leverage. The title The Sower is derived from The Parable of the Sower from the Bible. That's a lesson about a guy who's thwarted trying to plant seeds for growing crops. The novel The Sower is about a guy who becomes the sole carrier of a manmade supervirus that appears to be a cure for all diseases, and the only way to pass it to others is through sex. Translation: planting his seed. Oh, and he's very thwarted. So I knew I wanted to use the metaphor of seeds, so I got piles of different types of seeds, bought some colorful paper backdrops, and shot pictures with my cheap digital camera. I also did a version with bright white seeds and a red background, but that looked just a little too dead on like a guy's seed… if you know what I mean.


Authors always complain about their covers. It's like a rite of passage when being published. With Scribd you are completely on your own. I decided to have fun with it, and by taking the photo myself I own the copyright 100%, which you must have if you publish on Scribd.


As far as editing is concerned, I'm part of a dynamic community of writers. I host a writers group, and attend the San Francisco Writers Workshop I also have an office in the Sanchez Annex , a writers “grotto.” Ten of us share a workspace. Combine all that and it's fair to say that every word of The Sower has received more editorial scrutiny than most books ever get. It's no coincidence that so many successful, published books have emerged from our little home-grown process.


How long was the lag time between finishing SoMa and publication?


SoMa is set in San Francisco in the aftermath of the dot-com bust, 2002 to 2003. That's when I started writing it, which took a while since I had to figure out how to make the switch from journalism to fiction. I sold it in 2005, and then it was published in 2007.


How long was the lag time between finishing The Sower and publication?


There's a great story I tell at the very end of the novel about how The Sower was written. I won't ruin it by spilling the beans here.


But because of the immediacy offered by publishing with Scribd, and my desire to make my version of present day feel as current as possible, I was able to make changes to the book so it's as topical as today's newspaper. The first edition has references to swine flu, British singing sensation Susan Boyle, and TheDailyBeast.com.

So the time between finishing that additional writing and publication was, I dunno, maybe three minutes. How's that for fast?


And keep in mind that as an electronic book, I have the option to go in at any time and update cultural references so they are constantly timely. Frances, if you win the next season of Survivor, perhaps I'll add that into pages.





Friday, May 15, 2009

Bay Area Literary Tidbits

http://lindahimelstein.com/images/book.jpg Linda Himelstein, whose book The King of Vodka: The Story of Pytor Smirov and the Upheaval of an Empire, was released this week, has written an absorbing tale about how she came to write the book. It deals with a Russian peasant turned mogul, Tolstoy, the czar, and many interesting aspects of Russian life. Yet Linda wrote the book without speaking Russian, without living in Russia, and shortly after having two children. Here is a taste of some of her challenges:

"I believe I encountered every obstacle possible along the way. The Imperial archives closed in 2005, making it extremely difficult to get important documents. (They still haven’t reopened.) Many other relevant archives either could not be found or no longer exist. There was a dearth of information available about Smirnov’s early years as a serf. Conflicting accounts of specific events could sometimes not be verified one way or another.

And then there were Smirnov’s descendants, some of whom had already written books in Russia about their legacy. They were extremely reluctant to participate in my book. From the start, they questioned my motives and journalistic independence, assuming I was somehow tied to the company that now owns the Smirnoff brand. "

Read the essay here.

Michael Chabon and Ayelet Waldman were invited to the White House to participate in its first-ever poetry jam. And this was just as Waldman's new book, Bad Mother, was coming out. She appeared on the Today Show, Fresh Air, and many other places. A busy woman.

Bookstores around the Bay Area will be celebrating Kids Otter Read Day Around the Bay. It's a regional celebration organized by the Northern California Children's Bookseller Association.

Here's a list of where the 55 authors will be reading. Bring your child to one of these independents:

something for Ghost World?

LAUREL BOOKSTORE
4100 Macarthur Blvd., Oakland
Christina Meldrum
Elizabeth Partridge
Lea Lyon
Debra Sartell
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HICKLEBEE'S
1378 Lincoln Ave., San Jose
Lisa Brown
Karen Beaumont
Christy Hale
Ashley Wolff
Tim Myers
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BOOKS INC, PALO ALTO
Town and Country Village
Jim LaMarche
Dorina Lazo Gilmore
Betsy Franco
Cynthia Chin-Lee
Susan Taylor Brown
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BOOKS INC, ALAMEDA
1344 Park St.
David Schwartz
Daniel San Souci
Matt Faulkner
Ginger Wadsworth
Leah Waarvik
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BOOKS INC In the MARINA
2251 Chestnut St., SF
Elissa Haden Guest
Lynn Hazen
Pam Turner
Scott Michelson
Lisa Shulman
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THE STORYTELLER
30 Lafayette Circle, Lafayette
Marissa Moss
Elisa Kleven
Vivian Walsh
Wendy Lichtman
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CLAYTON BOOKS
5433-D Clayton Rd.
Deborah Lee Rose
Kathryn Otoshi
Deborah Davis
Elizabeth Koehler-Pentacoff
Ben Esch
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COVER TO COVER
1307 Castro St., SF
Julie Downing
Robert San Souci
Pat Murphy
Dashka Slater
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TOWNE CENTER BOOKS
555 Main St., Pleasanton
Caren McCormack
Ying Chang Compestine
Clarissa Yu Shen
Erin Dealey
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COPPERFIELD'S
3900A Bel Aire Plaza, Napa
Patricia Newman
Katherine Tillotson
Hillary Homzie
Marsha Diane Arnold
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LINDEN TREE
170 State St., Los Altos
Jim Averbeck
Karen Ehrhardt
Kimberly Zarins
Jill Wolfson
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BOOK PASSAGE
51 Tamal Vista Blvd., Corte Madera
Alexandra Boiger
Lissa Rovetch
Susan Meyers
Ann Manheimer
Bob Barner

Thursday, May 14, 2009

Strange Upside to the Loss of 150 SF Chronicle Reporters and Editors

Within the past 6 weeks, the Chronicle's staff has dropped precipitously through buyouts and layoffs.

But the news has turned out to be strangely good for authors and other artists.

That's because many former Chron reporters are now freelancing pieces for the paper, and lots of these stories feature artists.

It's understandable because a reporter can turn around a short profile in a day and when one is getting paid freelance rates ($250 a story?) speed and ease are important. More complex trend pieces take longer but are compensated at the same rate.

There have been at least four major profiles of Bay Area authors in just the past week. They include:

Steve Rubenstein wrote about Andy Raskin, the author of The Ramen King and I.

Heidi Benson wrote about Susan Cohen and Christine Cosgrove, who wrote a book about the use and misuse of growth hormones on children in Normal at Any Cost.

Edward Guthmann wrote about gay men and the divas they love, a book edited by Michael Montlack.

Regan McMahon wrote about Ayelet Waldman and her new memoir Bad Mother.

John McMurtrie, the editor of the book review, also penned an interview recently with Andrew Sean Greer.

This is definitely a huge increase from the period before the layoffs.

Sunday, May 10, 2009

How to Get Hired -- and Fired -- from the New Yorker

"You don't find the New Yorker; the New Yorker finds you."

How well I remember those biting words. They came from the mouth of Dana Goodyear, a New Yorker writer and editor. She delivered them in 2006 during a conference for freelance writers at the UC Berkeley School of Journalism.

The words stung because they suggested that to write for the New Yorker, you must be such a monumental talent that your glorious prose, captured in some lesser place like Harper's or the Ladies Home Journal, or on a website, was so spectacular that it attracted the attention of a New Yorker editor who just happened to be looking at that site.

The irony of those words is that Goodyear only started writing for the New Yorker because she served as editorial assistant to David Remnick, the magazine's editor, for three years. Her close proximity to the top helped her get noticed.

Well, the sacred walls of the esteemed weekly are being peeled back this week. In a series of tweets, former New Yorker author Dan Baum is revealing how he got hired to write for the magazine (he had been a freelancer for 17 years and had sent in numerous queries) and how he got fired in 2007.

A few of his revelations:

The New Yorker never sends rejections. It just ignores your queries. (This was not my experience. The first time I pitched an article to the New Yorker, way back in 1987, its editor Robert Gottlieb sent me a hand-written rejection. Unfortunately the note burned up when my house burned down in 1991.)

The term "staff writer" is misleading. All the writers on the magazine are contract employees. They don't get health benefits or contributions made to their 401Ks. And every September, their contracts come up for a review.

Baum got a little more than $1 a word for his first piece. At the time, Rolling Stone was paying him about $3.45 a word.

Baum was offered a staff writer position moments after Rolling Stone magazine offered to pay him $90,000 for a lengthy article on missile defense systems.

Baum, who went on to write the well-regarded book about New Orleans and Katrina called Nine Lives, also has a website where he displays the queries he sent to various magazines and the resulting articles or rejection letters.

Another interesting note: Baum lives in Watsonville, CA, hardly one of the country's hot spots. But it does show a good writer can prosper from anywhere.

You can follow Dan's tale on Twitter.

Thursday, May 07, 2009

Chronicle Lays Off More Reporters -- What Will Be Left to Read?

Reports are filtering in that the long-anticipated layoffs happened today at the Chronicle. Once again, the reporters who are exiting the building on Fifth and Mission Streets in San Francisco are seasoned journalists who have done fine work. The 15 who were let go include:

Update: I have removed the names of those laid off by request. However, I want to note that those who were laid off should not regard it as a dark mark against their reputations. They were fine reporters, merely caught in a changing industry and a declining economy.

The article continued...

A few of these reporters were sent home today; a few were told they had jobs until August. This latter group also learned that they if they left before then, they would not get a severance payment.

There has been a substantial change in the Chronicle in the last month with the exit of more than 100 reporters and editors. The paper is very thin and most articles are short. The paper is still managing to do some good reporting, but those articles are piled onto the front page . When you open the Bay Area section, there is barely anything there.

Wednesday, May 06, 2009

I Need a Vacation

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Posting has been really light on Ghost Word ever since my book was released in November. I have found myself juggling so many balls -- promoting my book, talking to readers, setting up events, traveling, mothering my children, serving on two non-profit boards, blogging here at and at the San Francisco Chronicle, trying -- in vain -- to figure out Twitter, searching for a new book topic, etc etc. Sounds like a typical average American woman.

It's been a great five months and I am thrilled that Towers of Gold has been well-received. The best part of the experience has been hearing that people found the book informative and a good read.

I got an email from a cousin today and I can't believe what she said:

"Recently a dear cousin passed away from pancreatic cancer. Just 10 days before he died I decided he might enjoy either having read to him or reading Towers of Gold. Eric was the chronicler of our family history and with his passing goes a wealth of information some of which was documented.

He called me just before he died to say how touched and moved he was by your book, how pleased he was to have lived long enough to read it and see Obama elected. Not bad company eh
I thought you would appreciate hearing this as it IS these small things that make doing what we do resonate."

An email like that puts everything in perspective. The writing and research of a book is the work that grounds a writer; the marketing is the part that drives a writer crazy. So it was nice to be told that my book entertained someone in his last days and that he found it valuable and interesting enough to spend his limited time with it.

I started this post to say I was going to take a break, but as usual I can't say no to anything. But I just wanted to explain my sparse posts.

Tuesday, April 28, 2009

Nor Cal Independents Honor Towers of Gold



It's no secret that I love independent bookstores. I am down in Los Angeles and yesterday dropped into the new Diesel Bookstore in Brentwood, even though I had spent the previous two days surrounded by authors and books at the LA Times Festival of Books. Still, I wanted to see what they had and what caught my interest. I almost never pass up a chance to browse in an independent bookstore.

That is why I am so pleased to report that the Northern California Independent Booksellers Association has named Towers of Gold a Best Book of 2009. It won in the regional category against some amazing books, including Philip Fradkin's well-regarded biography of Wallace Stegner. (To the left is a poster of the award winners. T of G is in the middle on the right.)

The people who voted for Towers of Gold are the booksellers who are on the front lines, showcasing new authors and literary writers while fending of the threat from Amazon and other on-line sellers.

My book, a biography of Isaias Hellman, a banker and my great great grandfather, is not an obvious "must buy." While Hellman was nationally-known in his lifetime, he is virtually forgotten today. So when people browse the non-fiction section, they might not take notice of a book about a man of whom they have never heard.

Yet booksellers in the extended Bay Area have been very generous with Towers of Gold, and have recommended it to their customers. It spent a few weeks on the NCIBA bestseller list and is still displayed in many bookstores.

This is the beauty of independents: their owners and clerks are knowledgeable about books and have opinions. I owe much of the success of Towers of Gold to them. Thank you.

Monday, April 27, 2009

The Los Angeles Times Festival of Books

As I’ve said in earlier posts, I have wanted to go to the Los Angeles Festival of  Books for years. As a book lover, the fair seemed irresistible: more than 450 authors, 130,000 book fans, sunny Los Angeles, and books galore.

Well, I am happy to report that fair met my expectations. I started getting giddy Saturday morning as I left my hotel in downtown LA and punched in the address of the fair into my new GPS device. (I used one of these on my last trip and it was so helpful I decided to buy one.) It only took about 20 minutes to start winding my way through the tree-lined UCLA campus, but by the time I walked into the Greeen Room I was almost hyperventilating

I immediately ran into David Ulin, the book editor of the LA Times, and his gracious greeting set the tone for the festival. The organizers treated authors like rock stars, which we clearly aren’t, but it was nice to be fed well, escorted to our panels, and be given a free mug.

After my third cup of coffee for the day, I headed out into the festival. There are hundreds of white tents set up around the campus, each hosting a publisher, or bookstore, or book-related organization. I immediately stumbled upon the booth for PoliPoint Press and Peter Richardson, one of the press’ editors. They publish contemporary books on politics and economics. I bought a copy of Breadlines: The Hidden Scandal of American Hunger by Sasha Abramsky, a journalist who writes frequently for The Nation. I ws delighted to hear that Peter’s long-anticipated book on Ramparts Magazine will be out in September.

My panel on History: Hidden Los Angeles was at 3:30 and the time flew by. Soon, I was back in the Green Room where I met my fellow panelists D.J. Waldie, Chip Jacobs, and Bill Deverell, the moderator.

Did I mention that my panel was broadcast live on national television by Book TV on CSPAN-2? I only discovered this a few days earlier and was so busy getting ready for my trip that I only sent out a few emails. I rushed into the very crowded ladies room to apply a little makeup so I wouldn’t looked washed out on television. Well, authors in general are not part of the glam set and I felt very self-conscious applying mascara and rouge in the mirror.

The panel was packed and I think it went well. The LA Times blog Jacket Copy has  a report on the panel.

I got a chance to hang out with Scott Martelle, the author of Blood Passion, a book on the Ludlow massacre in Colorado. I also stopped by the Angel City Press booth, where Kevin Roderick, the editor/writer for the LA Observed blog, was signing copies of his book on Wilshire Boulevard. Kevin's blog is fabulous (I read it every day even though  I live in the Bay Area) and it was interesting to see that people regard him as a rock star. I ran into Andrew Tonkovich, the editor of the Santa Monica Review, who said he wanted to introduce himself to Kevin. Tod Goldberg, another author at the festival, blogged about how excited he was to see Kevin.

Other highlights:

By far my best moment at the festival was meeting Larry Gillmore, the “senior black correspondent” for The Daily Show. I felt like a stalker as I approached him as he sat by himself on the patio of the faculty club, right off the Green Room. But he was gracious and inviting and true to form, made me laugh.

Other celebrity sightings:

Maureen McCormick, better known as Marsha Brady, sitting in the corner talking on her cell phone.  I noticed she had picked up the LATFOB mug given to each author.

Cloris Leachman hurrying out of the bathroom.

Bob Barker from the Price is Right.

Interestingly, I did not recognize many of the well-known authors at the festival. I did see the very tall Jane Smiley everywhere

But that is the point of the festival. It is a gathering of ideas, of great tales and great fantasies. Authors are the medium to deliver these goods. And since writing  book takes so much time spent alone in front of the computer, it is wonderful to occasionally have the opportunity to join readers and other authors and have fun.

Wednesday, April 22, 2009

Los Angeles Times Festival of Books and other Southern Sojourns

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For years I have wanted to attend the Los Angeles Times Festival of Books, which is easily the largest -- and best -- book festival on the West Coast. Each year more than 100,000 people go to the UCLA campus to hear more than 450 authors talk about a range of topics.

It has always seemed to far to travel for a weekend. But when I published Towers of Gold, one of the goals I set for myself was to appear at the festival. Well, I am delighted that the organizers asked me, and once the invitation was extended I had no difficulty committing to the 300-mile journey south.

I will be appearing on a panel Saturday at 3:30 pm titled History:Unknown Los Angeles. The authors DJ Waldie and Chip Jacobs will join me. Bill Deverell, my old Stanford buddy who is now a professor of history at USC and the head of the USC -Huntington Institute for the Study of California and the West, will moderate.

Each of us wrote about a "hidden" history of Los Angeles. Jacobs wrote Smogtown, which explores the impact of pollution on the environment. Waldie wrote a memoir about growing up in an LA suburb. I wrote about the early days of LA, the city's most successful banker, and the role Jews played in the state's development.

Come join us.

I will be doing other events in Los Angeles as well:

April 24 (Friday)

7:00 p.m.

Jonathan Club

545 S. Figueroa St.

Los Angeles, CA



April 25 (Saturday)

3:30 p.m.

Los Angeles Festival of Books

Panel: History: Unknown Los Angeles

With William Deverell, D. J. Waldie, and Chip Jacobs

Haines Hall 39

University of California at Los Angeles



April 26 (Sunday)

3:00 p.m.

Jewish Historical Society of Southern California

Hellman's old Farmers and Merchants Bank

411 S. Main Street

Los Angeles, CA



April 27 (Monday)

6:30 – 8:00 p.m.

Julie Robinson Literary Affairs

Westwood Public Library

246 Glendon Avenue

Los Angeles, CA




April 28 (Tuesday)

6:00 p.m.

USC Jewish Alumni Association

Hillel

330 South Hoover Street

University of Southern California

Los Angeles, CA

They are all going to be fun, but I am particularly excited about the Sunday event. I will be talking in the bank building that Isaias Hellman built in 1905. When I was in LA in December I got to tour the Farmers and Merchants Bank Building, but I think it will be exciting to actually give a speech there. It's at Fourth and Main in downtown Los Angeles.


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The Farmers and Merchants Bank Building at 411 S. Main Street.

Friday, April 17, 2009

Author James Houston is dead

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I just got the news that one of my favorite writers, James Houston, has died.

He came to international fame when he co-authored Farewell to Manzanar with his wife Jeanne Wakatsuki Houston. The book, which is still read regularly in schools, told the story of her internment in a detention camp for Japanese-Americans in California’s Owens Valley during World War II.

His later work also explored aspects of California’s history, including the fantastic Snow Mountain Passage, a novel about the doomed Donner Party. Patty Reed, who survived the Donner Party’s ordeal, once occupied the home the Houstons lived in Santa Cruz. He also wrote extensively about Hawaii, a state he considered a second home.
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The list of his awards is long, and included an American Book Award, a Humanitas Award, a Californiana Silver Medal from the Commonwealth Club, and an Emmy nomination. He was also invited to be a writer-in-residence at many prestigious places, including the Rockefeller Foundation’s villa in Bellagio, Italy.

I first got to know Houston when I attended the Squaw Valley Community of Writers. He was a long-time friend of Oakley and Barbara Hall, who co-founded the conference. Every summer, Houston would come up to Lake Tahoe and share his knowledge of fiction writing and the publication process with aspiring authors. He was tall and lanky and surprisingly elegant in his jeans and casual button-up shirts. Most important, he was accessible. He didn’t use his status as an accomplished author to set himself apart from people at the conference. He was generous and helpful.

He died Thursday at his home in Santa Cruz from complications from cancer.

Thursday, April 16, 2009

Readings, Readings, and More Readings

“A story, after all, does not only belong to the one who is telling it. It belongs, in equal measure, to the one who is listening.”

That will be the theme of a reading tonight at 7 pm Orinda Books, part of a tour of a group of women authors. Michelle Richmond, Susan Freinkel, Brenda Webster, Jessica Barksdale Inclan and I will be reading from our respective books. We will also talk about the power of stories to change, to create self, to shape history and memory.


We are all members of WOM-BA, or Word of Mouth Bay Area. (weird name, I know, and a long and not-particularly interesting story.) It’s a group of women who have all published. We get together monthly and through e-mail to talk about writing.


This tour – and there will be two other segments with different authors May 7 and 14th at at Bookshop West Portal in San Francisco – was conceived and put together by Elizabeth Stark. She is the author of Shy Girl and energetic organizer who also writes a very entertaining blog.


Please come.


I also want to put in a plug for the Northern California Book Awards, which take place Sunday April 19 at 1 pm at the main branch of the San Francisco Public Library. The awards nominate authors in various categories, including fiction, creative non fiction, translation, non-fiction, poetry and children’s book. Dozens of authors are coming to celebrate the work of Northern California writers.


Towers of Gold has been nominated in the general non-fiction category.

Sunday, April 12, 2009

Admission, or Tips on How to Get into that Prestigious College

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I spent the last week traveling between East Coast cities on one of those overly-analyzed and dreaded parental excursions: the college tour. My 16-year old daughter and I trooped from New York City to New Haven to Middletown to Providence to Amherst and then Boston (read Columbia, Yale, Wesleyan, Brown, Amherst and Tufts) in search of that elusive, perfect college.


We were not alone. In every city, on every tour, we joined hundreds of other anxious parents and high school juniors and listened to surprisingly funny and eloquent descriptions of some of the nation’s most elite schools. We traipsed in large hordes behind backwards-walking student tour guides and peeked in numerous Gothic and Georgian buildings.


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The entire tour was becoming a blur until I went into the newly-renovated Brown University bookstore. I was in search of Dexter Filkins’ book, The Forever War, because my editor in New York said it was an unputdownable kind of book. I had brought two new releases on my trip from California, but hadn’t been able to get into them, so I was in search of something great.


It took the bookstore staff awhile to locate Filkins’ book, and I poked around while I waited. I picked up a book on the front table and immediately knew I had to buy it. It was called Admission, by Jean Hanff Korelitz, and it tells the story of a Princeton University admissions officer who goes through a life crisis. Tidbits about the kinds of applicants who apply to Ivy League schools are scattered throughout the book, as are snippets of admissions essays and thoughtful musings on what distinguishes a remarkable student from the merely great. How can I not buy this book, I thought? It’s what I am living through.


Korelitz, of whom I had never heard, but who must be talented since her agent is Suzanne Gluck, worked as a reader for Princeton in 2006 and 2007. (It turns out she is the cousin of Helene Hanff, who wrote 84 Charing Cross Road. Her husband, Paul Maddoon, won the Pulitzer Prize for poetry in 2003) She draws heavily on her experience in this novel, which almost reads like a (fun) manual on how to apply to a prestigious university.


The book saved me. Suddenly the dreary task of driving hundreds of miles between pristine campuses seemed easy. The drone of the admissions officers made sense. The state of the dorms and the taste of the food were put in context. In short, the book was a delight, a fun read, and an informative tome for a mother of a junior in high school. And for aspiring applicants as well. My daughter and I kept fighting over who got to read Admission. In my mind, that is high praise.



Wednesday, April 08, 2009

The Slush Pile and other Myths of Publishing


I dropped into St. Martins Press in New York this week for a quick visit with my editor to talk about the paperback edition of Towers of Gold. I brought my 16-year old daughter along and thought it would be fun to show her the inner workings of a major publisher.

St. Martins is located in the historic Flatiron Building in New York, which celebrated its centennial a few years ago. It's located on 23rd Street between Broadway and Fifth and has a
great view of the city.



I asked to see the St. Martin's slush pile, which I imagined as a tower of manila envelopes and loose query pages. Vicki Lame, an assistant editor, showed me where the publisher stores unsolicited manuscripts and I was surprised to see it was smaller than I expected. She said that an editorial assistant had just gone through the pile -- a process that they do twice a year.












The slush pile only fills up one shelf in this bookshelf.


The world of reading proposals is changing as well. Editors at St. Martin's and other Macmillan imprints no longer read submissions from agents on paper. Agents e-mail proposals and they are loaded onto Sony e-readers. So there was only a minor tower of paper on the desk of Michael Flamini, my editor. (He still reads and edits completed manuscripts on paper.) Here is a picture of Michael holding up his e-reader.



I love to find out which books Michael has coming out. I picked up a galley of Mile High Fever, a book about the Comstock Lode by Dennis Drabelle, which is coming out in July. Flamini also has an autobiography of Vic Damone coming out that sounds fun. Flamini keeps the books he has edited on display in his office; if you look closely enough you can see Towers of Gold on the bottom shelf.




Friday, April 03, 2009

A Lighthearted Look at the Demise of the Newspaper Industry

Watch the staff of the East Bay Express sing their way out of trouble ... The video was produced and sung by Jonathan Mann. (via FishbowlLA)

Thursday, April 02, 2009

The Chronicle Keeps on Losing People

The Hearst Corporation is still keeping mum about the number and names of people who have taken a buyout from the San Francisco Chronicle, but a few more names have come out.


One of the paper’s top reporters, Seth Rosenfeld, who has produced stories that have garnered national attention, is leaving. Rosenfeld has written extensively about the secret doings of the University of California, and won awards for a 2002 series on how the FBI illegally gathered information at the university during the Cold War, and then tried to cover up its involvement.


Steve Rubenstein, who wrote column-like stories on quirky people and places around the Bay Area is departing.


Other departures include:

Ruthe Stein, who writes about the film world.

Tanya Schevitz, an education reporter.

Bill Burnett, real estate editor

Jennifer Thelen, a copy editor

Steve Hornbostel, a page designer

John Batteiger, a business wire editor

Rich Pestoric, an arts and graphics designer


Long time culture and arts reporter Steve Winn left recently as well.


UPDATE April 3, 2009:


Here are some additional names of reporters and editors leaving the Chronicle:

Elizabeth Fernandez, health and medicine reporter
George Raine, business reporter (advertising and marketing)
Gwen Knapp, sports columnist
Rico Mendez, page designer
Janet Fletcher, food reporter
Reyhan Harmanci, Datebook trends reporter
Glenn Schwarz, sports editor
Greg Ambrose, news and business copy editor
Rod Jones, news copy editor
Beth Hughes, news copy editor




The business side – advertising and classified – is also losing many employees.


Many of these reporters apparently were motivated to accept a buyout in order to preserve their pensions. The pension fund has lost about $25 million in value with the recent stock market dip. If reporters agreed to depart by April 3, 2009, they could get their pension paid out in a lump sum and retire by 55.


With the drop in the pension fund’s value, Hearst apparently plans to change its retirement rules, moving up the age of retirement to 65 and switching to an annuity, which pays out annually, rather than a lump sum retirement. For many reporters in their 50s, staying on under those circumstances just didn’t pencil out.


In response to all these departures, the Newspaper Guild is forming a new unit for freelancers. They are going to hold their first meeting Friday April 3 at noon at the California Media Workers building at 433 Natoma Street in San Francisco.

Wednesday, April 01, 2009

Wisteria, Poetry and Literary Tidbits

https://mail.google.com/mail/?ui=2&ik=69e9d64e77&view=att&th=12062e722c8ee45f&attid=0.1&disp=inline&zw

The wisteria outside my door is just coming into bloom


April 1 is the start of National Poetry Month. Norton has put up a fun website where you can listed to poets like Robert Pinsky and Kim Addonizio others read their own poems as wall as other people’s poems.


A lot of Bay Area writers have new books coming out:


Joan Gelfand s newest book of poetry, A Dreamer’s Guide to Cities and Streams, has just been released.


Catherine Brady’s latest collection of short stories, The Mechanics of Falling, has also just come out. Brady is a San Francisco resident and the stories are set largely in the city.


Jill Wolfson, a former Mercury News reporter who now lives in Santa Cruz, has a new YA novel. It's called Cold Hands, Warm Heart, and it tells the story of two teenage girls, one a fit gymnast who has a terrible accident, and the other a girl born with her heart on the wrong side. When the gymnast's heart is transplanted into the chest of the other girl, interesting things happen.


Brian Eule’s narrative nonfiction book. Match Day, was released in early March to coincide with the day that medical students learn which hospitals have chosen them to be residents. Eule went to Stanford and lives in Northern California.The New York Times wrote about his book and the process.


Michelle Richmond has written a wonderful essay about how both San Francisco and the South feel like home to her, and how those feelings show up in her fiction.


My book, Towers of Gold, is back on the San Francisco Chronicle best seller list at #6.


I have also started to blog at SFGate in a section called "City Brights." The San Francisco Chronicle has asked various members of the community -- artists, politicians, lawyers, sport enthusiasts, etc. to write blogs. (A case of a paper laying off its own reporters and getting content for free. More on that later.) My latest entry is about the grind and glory of the book tour.